Selected work

Projects our team
worked on.

Brand identities, campaigns and films for names we're proud to have worked with. A small selection of recent projects.

Scroll ↓
FEIC London bus-stop poster at Cannes
FEIC · 2023

FEIC London

Brand identity →
Baukjen · 2025

Baukjen

Social motion →
Still from the Lexus film: two faces almost touching in blue light
Lexus · Spec · 2023

Are we human?

AI film →
 Massimo Dutti campaign image
Massimo Dutti · 2025

Massimo
Dutti

Campaign →
Atlas Bio · 2026

Atlas Bio

Brand identity and landing page →
Tempur × David Beckham · 2024

Tempur

UX/UI and motion →
NatWest Premier email: a helping hand to make your money work harder NatWest Premier email: want to take on rising prices? NatWest Premier email: our ISA cashback clock's ticking
NatWest Premier · 2023

NatWest
Premier

Email design →
Coutts email: why not maximise your space and your life? Coutts email: why not maximise your space and your life? Coutts email: Coutts can give you the freedom to dream big
Coutts · 2023

Coutts

Email design →
Process · Alfa Romeo Cuorerosso V6 · spec film

How an Aoibh AI film is made.

Every shot in this spec film started as a reference still. Four stages, one studio, and a person directing each of them. Press play at the end to watch the finished film.

01

Reference

Build the look first. We start with stills: the car, the light, the world around it. A reference film sets the pace and the mood. Nothing is generated until we know exactly what we are making.

Reference still: the concept car from the rear three-quarter
Reference film still: aerial view of a car crossing a floodlit bridge at night
Reference still: the car from directly above
Reference film still: a car crossing a bridge at night
Reference still: blurred strips of red light
Reference film still: a car filmed from above at speed
Reference still: a smoke-filled tunnel road with ceiling lights
Reference still: a car interior with a glowing dashboard
02

Generate

Direct the shots in Veo 3.1. Starting from the reference stills and written direction, each shot is generated as moving footage. We re-run, compare and select takes the way a director would. Nine eight-second clips are in this edit.

ReferenceReference still: a smoke-filled tunnel road with ceiling lights
Veo 3.1Veo 3.1 footage: the car driving through a lit tunnel, seen from behind
Tunnel
ReferenceReference film still: the underside of a curved flyover at night
Veo 3.1Veo 3.1 footage: the underside of a flyover washed with red light
Flyover
ReferenceReference still: the concept car from the front
Veo 3.1Veo 3.1 footage: a red sports car driving towards camera
Front
ReferenceReference still: the concept car from behind
Veo 3.1Veo 3.1 footage: a red sports car from behind on a bridge
Rear
ReferenceReference still: red light trails sweeping across black
Veo 3.1Veo 3.1 footage: red light trails sweeping across black
Light
ReferenceReference still: a man's face lit by red light strips
Veo 3.1Veo 3.1 footage: a man's face with red light strips moving across it
The driver
03

Assemble

A first cut with Claude. Claude studies the reference film for pace, then assembles the clips into a first-pass edit in code: cuts timed to a pulsing score, light flashes, speed changes and graphics. A first version of the whole film exists fast, and every change after that is a quick edit.

The first-pass edit: 20 seconds at 1080p, 18 sequences. Footage is shown as its Veo 3.1 source frame. White blocks are graphics built in code. The score is composed in code too.

04

Finish

A human finish in Final Cut Pro or Premiere Pro. The first pass goes to an editor for the final grade, sound design and mix, titles and delivery masters. This is where taste decides what stays.

DeliveredFinal gradeSound design and mixTitlesDelivery masters
Alfa Romeo Cuorerosso V6 · spec film · 22 seconds · sound on

AI does the heavy lifting. Direction, taste and the final cut stay human.

Start a brief

Your project here.

Tell us what you're making and we'll put the right team on it.

Start a brief